LAGER FRENZY!

Entries categorized as ‘Brands’

Before Harp Lager there was Barclay Perkins

March 8, 2010 · Leave a Comment

OK, I know I promised more for you Skolars, but Ron over at Shut Up About Barclay Perkins has produced more lovely statistics about the pivotal period of UK lager in the late 5os when volumes started to take off.

The stats show that by 1956, Barclay Perkins produced more lager than any single beer (although together, the company’s  two Milds marginally outsold lager). Barclay Perkins was one of the pioneers of UK-brewed lager and after being consumed by Courage became one of the first brewers of Harp on the UK mainland.

Categories: Beer · Brands · Marketing · UK lager
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When lager advertising gave Samantha one

March 5, 2010 · 3 Comments

The Skol lager ad with the immortal last line. Watch to the end -  it’ s a cracker. It also was a landmark campaign for lager, according to the agency that made it – D’Arcy Macmanus & Masius.

Why was it different? Because it was among the first mass-advertised lagers to focus on the context of the drink rather than the product quality.

For young men, the core target market, taste was not their real motivation for drinking lager; what mattered to them was the sociability and conviviality involved in drinking. This was the opportunity. The Skolars campaign, “When you know lager, you’re a Skolar” expressed all emotional motivations for drinking lager and indissolvably linked them to Skol.

Within two years Skol’s previously declining market share had been restored to the position it held in the mid seventies. This despite the interruptions to supply caused by industrial disputes.

Neither product quality, nor price relative to other standard lagers had changed and distribution had in fact declined. Thus of all the marketing factors that could conceivably have influenced the brand’s market share only advertising could have been responsible for the gains achieved in the last two years.

IPA Effectiveness Awards, 1982

The agency of course was being slightly disingenuous. Happy, convivial drinkers had been part and parcel of beer advertising since the start of beer advertising. But the difference with the 1978 ‘When you know lager, you’re a Skolar’ ads was that the drinkers weren’t happy as a direct result of the beer’s own characteristics, but because of the social context they were served in.

In other words it was part of the long farewell to claims of “Refreshment” and being “Probably the best” and towards such dubious practices as ‘Following the bear’ and making a ’sHarp exit’.

Categories: Advertising · Brands · Lager
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Carl Jacobsen’s lager project

February 11, 2010 · Comments Off

From The Scotsman, February 1870. Showing that Carlsberg was not only exported to Scotland, it was also sold there.

That old man Jacobsen wasn’t too enamoured of his son’s ideas of importing lager beer to Great Britain is clear to see from the letters he sent to Carl while Jacobsen the younger was on his four-year stint around the brewing capitals of Europe.

With the attitude of ‘I’m sure you’ll grow out of it’ he referred to Carl’s plans to sell his beer as The Project, but seemed more pleased by his son’s embracing of the commercial skills he lacked. That didn’t mean he took him seriously, though 

But Carl had something. By March 1869, Theilmann had ordered another six barrels (Jacobsen only sent him three) and asked for more, for another distributor, Russell, but Jacobsen only had 15 available . Russell was also certain that Carlsberg Beer would sell and reckoned that he could easily sell the  2,200 barrels brewed for the following season . Theilmann even went so far as to suggest that Carlsberg Beer would be able to compete on the home market with Bass and Allsop’s Ales and Messrs. W&J Russell of Leith backed him up ordering first 50 and then a further 100 barrels.

By this stage it seems that even Jacobsen was beginning to believe in The Project and the sale of his beer in Great Britain - although only as much as he believed would sell and only at the quality (and maturity) he thought was suitable. He remarked in one of his letters of the alarming trend of delivering “half-matured” lager all year round.

 He did, though, draw the line of selling his beer in a “shop” in London. Far too awful to contemplate.

Categories: Beer · Brewing history · Carlsberg · Lager · UK lager

More lager letters to Scotland

February 5, 2010 · Comments Off

More from J.C. Jacobsen and his letters to his son. The letters give a good idea of export developments to Great Britain but more tellingly give a cracking insight into Jacobsen’s worries about sending his prized beer so far away.

To understand  why requires a bit of background. Jacobsen was a disciple of the great Munich brewer Gabriel Sedlmayr and originally collected his first batch of lager yeast from Sedlmayr’s Spaten Brewery. His views on quality – especially with regard to limits on quality by scale of production – stem from Sedlmayr. He stated that there was a natural limit for any brewer, and that over this limit beer quality would begin to fall (I can’t find the reference) .

Reputation at home or abroad?

With growing demand at home, the last thing Jacobsen wanted to risk was his domestic reputation by expanding too quickly abroad. As revealed by the letters, Jacobsen was at turns amazed and flattered that his beer was in demand, and terrified that it wouldn’t survive the journey intact.

His awe of British brewers’ technical ability to brew beer that could stand the test of shipping to the other side of the world, led him to underestimate his own. It also lay behind his almost manic insistence that Carl should learn everything about British brewing methods.

The first mention of beer sent to Great Britain is in October 1868. His letters reveal that Theilmann, a Danish merchant Carl had met while at Younger’ s in Edinburgh had asked for “more of my beer”. Typically, Jacobsen apologised for not having any of the right quality despite the novelty of having beer for sale in Scotland.

Self-imposed lager limits

Interestingly, he has more faith in a test sending of cold fermented top-fermenting beer (presumably with ale yeast) that would better survive the journey and could be stored without problems. By the following month, however, he decides to limit himself to a crate (50 bottles) as a present. He adds that he has worried about putting Carl in a difficult position in Younger’s if his father began to compete (“no matter how unworthily”), but with Carl’s trip to London he will send some beer that will do him some honour “… and honour in this case is more important to me than any possible advantages”.

The fact that shipping from Denmark to Edinburgh (via Leith) was suspended over the winter months made Jacobsen’s task of exporting harder. Not enough beer was available of the right (stored) quality when Carl wrote asking for a further four half-barrels of beer. Jacobsen refused thinking that it was for sale not private use. After clearing up this misunderstanding he apologises and promises to send him more beer – but emphasises the less than brilliant quality should be for Carl and not for sale.

Warming up to sales

By January 1869, the weather and Jacobsen had thawed slightly and the brewer wrote saying that  four half barrels were on their way – but again with the proviso that they were only samples, with no guarantee they would be any good.  He asked Carl only to take payment if the beer was any good – but he wanted the empties back.

By March the beer circle had widened and he dispatched a further 6 half-barrels for “friends and acquaintances” of Theilmann. And this time he mentions the bill straight away and even inquires if the “friend” would like an invoice from the brewery. The tone becomes more businesslike as Jacobsen wins over his coyness on news that the lager beer he has sent would do better than any version of ale or porter he could produce.

By November 15, 1869, Jacobsen wrote that he was sending a few crates of Bavarian beer left over from a batch brewed for Theilmann to the English East Indian ports. True to form he was sceptical of the commercial value, “but it is always interesting to discover whether it can withstand the journey,” he noted.

Carl’s view at this time we can only guess at  as his letters in return haven’t been preserved in the same number as his father’s. But one letter from Carl in October 1868 could give a clue. In it he asked his father: “Is it possible or beneficial to allow German beer be replaced by English, will the public change its taste and its habits in favour of English beer?” He answers his own question in no uncertain terms: Never! Under no circumstances!”

Categories: Brands · Carlsberg · Lager

Letters from home to satisfy a brewer’s thirst

February 2, 2010 · Comments Off

J.C. Jacobsen's letters to his son reveal a wealth of technical brewing details

I’ve been digging into Carlsberg history again – more specifically the letters from J.C. Jacobsen to his son Carl. As a young man Carl was packed off to travel the breweries of Europe for four years as part of his apprenticeship in brewing. The letters published in Danish as Din hengivne Jacobsen (Your devoted Jacobsen) are a fascinating insight into not only the characters of J.C. and Carl, but also into the techniques and practices of brewing at the time (1866-1870).

On his sojourn, Carl gained access to some of the greatest breweries of the time – both on the continent and Great Britain. Zum Spaten, Weihen Stephan, William Younger, Allsopp, Bass, Ushers, Evershed, Barclay Perkins, Lovibonds, Truman and Whitbread all figure in the letters of the father to the son. Carl actually worked for some time in Wm. Youngers and Eversheds  Allsopp’sand had several interviews while in Burton with the noted brewing chemist Horace Brown

The letters illustrate Jacobsen’s thirst for brewing knowledge as he fires off letter after letter with questions about malting, mashing temperature, the cost and construction of pumps and corrugated iron, bottling and especially how English ales were brewed – Porter and Pale Ale in particular. His goal was to open a brewery for English-style beers to get a slice of the lucrative export market.

Some of his last letters in 1870 are with a desperate need for detail before Carl leaves Great Britain to return home:

Have you in Burton received reliable information about the degree of attenuation for Export Ale and Pale Ale in the larger breweries during the main fermentation and at the filling of casks? It is not necessary for me to call attention to how important it is to know the measurements one should achieve during fermentation.

Despite this demand for information about the brewing techniques used in Great Britain he never really got over his dislike of the taste of the beer. He writes about Bass:

Most of the beer types from Bass have, to my taste, far too much dry hopping. In some of the casks there was an unreasonable amount of hops. Is this necessary for its keeping abilities or is it only a matter of taste?

When Carl returned to Denmark he did in fact open a brewery for English styles, but was never convinced that it would take off at home. He preferred to export lager beer, which he considered excellent, despite his father’s worries that it wouldn’t travel well and damage his hard-won reputation.

Categories: Beer · Brewing · Brewing history · Carlsberg
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Don’t drink and ride

October 22, 2009 · Comments Off

At the moment I’m digging through classic lager ads on the basis of a theory about how advertising of lager has gradually progressed from product quality and nutritional claims to more lifestyle-based, social affirmation. It was all going very nicely and then Lamot happened. A bloke in armour riding on a tiger panther. What on earth was all that about. I’d rather be Hemeling…

Categories: Advertising · Beer · Brands · Lager
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How Heineken reached the parts other lagers couldn’t reach

October 19, 2009 · 2 Comments

Some of the best lager advertising ever was the product of one of the UK’s best copywriters – who without an idea in his head fled the country with one word and the threat of a firing if he didn’t come back with a campaign.

The lager was Heineken, the copywriter was Terry Lovelock.  Lovelock was one of the leading copywriters at the CDP Agency and was given the challenging task of creating a TV campaign to sell Dutch  lager to bitter-drinking Britons. His brief, normally pages and pages of background on the market, consumers, competitors and product positioning, consisted of just one word – Refreshment.

At the time, the early 70s, lager had grown rapidly from the early 60s to reach around 10% of the total beer market. But it wasn’t what you might call mass market. It was still a bit special – fashionable, exclusive. In the US the slogan was ” if you run out of champagne, order Heineken”. Hardly refreshment.

Lovelock and his art director Vernon Howe stared at his word for eight weeks without the shred of a reasonable idea between them. The rest of the office began to pop by just to see how it was going. But it wasn’t. In desperation, Lovelock decided to try new surroundings and grabbed the agency car and driver and headed for  Marrakesh. On his way to Heathrow Airport the voice of Frank Lowe, the equally legendary head of the agency came over the intercom and told Lovelock to come back with a campaign or don’t come back at all.

Lovelock was now desperate. He walked around Morocco with pen and paper in hand searching for the idea. Lovelock said that, “At the back of my mind, there was a thought that if booze causes some strange metamorphoses, it must be possible to explain its effects ion the body in a fun way”.  One evening Terry went to be around midnight, notepad nearby. At 3am he woke from a dreamless sleep and sat upright. He grabbed the notepad and wrote two lines. ‘Heineken refreshes the parts other beers cannot reach’ and Heineken is now refreshing all parts’. This is exactly what happened. He blamed it on a mixture of desperation and mental incubation. The following morning he wrote two scripts, one including a Charleston dance competition where the knees weren’t working due to lack of refreshment.

Source: Inside CDP

He came back with several scripts including the first to be filmed  - policemen being refreshed after a hard day on their beat that became a UK advertising classic. And not only in TV ads, in print ads as well, for nearly thirty years.

The ad, like many of the others, featured the voice over of Dane Victor Borge. A Dane advertising a Dutch lager? Why not Carlsberg? Well, that’s another story…

Categories: Advertising · Brands · Heineken · Imported lager · Lager
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The debt lager owes to Guinness

September 30, 2009 · Comments Off

Guinness led the consortium to launch Harp lager

Guinness led the consortium to launch Harp lager

Lager and ‘container draught’  (later developing the slightly catchier name of ‘keg’) were the two great opportunities for British brewers in the early 1960s. They had been the fastest growing elements of the British beer industry, but it was the creation of draught lager that finally gave lager the mass-market breakthrough it had attempted for nearly 100 years.

At the start of the decade, lager and draught each accounted for no more than 3% of the total beer market. Lager had been brewed on a regular basis in the UK since at least 1879 and draught had been developed by Watney Mann before the Second World War and developed after by Flowers’ under the ‘Keg’ brand name.

In 1950, slightly fewer than 100,000 barrels of lager were drunk, most of them imported. By 1959 and the introduction of Skol by Ind Coope, the total had risen to 500,000. By 1960, 550,000. During this time total beer consumption was stagnant and the brewers knew that if they couldn’t  shift total consumption, they would have to try and shift consumption patterns.

It was Harp, brewed by a consortium of four brewers headed by Guinness, that began the major shift in consumption away from cask-conditioned ales. Guinness began development of its new lager in the late 1950s with the purchase of The Great Northern Brewery in Dundalk. The German brewer, Dr. Herman Muendar, was not overly impressed by the brewery and described it as “like an alchemists’ kitchen”

Harp lager was first brewed in June 1960 and quickly saw success first in Ireland and then a year later in North West England and then national. By 1962 it was the second biggest brand – neck and neck with Carlsberg – but still behind Skol. It was brewed in the UK by Scottish & Newcastle, Mitchell & Butler and Courage.

Initially Harp lager was bottled and did reasonably well, but it was the launch of Harp on draught in 1965 that saw sales really take off. According to brewing historian Martyn Cornell Harp wasn’t the first keg lager, but it was the first one to solve the problem of overfrothing, helping lager elbow its way into the UK.

From the 2% share of the beer market in the early sixties, lager grew to just under 10% by 1971, topping 50% by 1989. Ironically, this was also the year that Harp dropped out of the Top 10 beer brands in the UK. Just 10 years later, seven of the top ten beers in the UK were lagers.

Categories: Beer · Brands · Brewing history · Harp · Lager · UK lager

Pull the other one

May 22, 2009 · Comments Off

Step change for Bombardier – Brands news – Ale – Morning Advertiser

Does ale have anything to learn from lager?

Wells & Young’s is today unveiling a new handpull design for its Bombardier brand, which takes its inspiration from lager fonts.

The brewer has spent a year on the project, investing a seven-figure sum in a bid to lure in new, younger drinkers to the cask-ale category, marketing director Chris Lewis revealed.

The new £500 font has been designed to make a key feature of the handpull and has cask beer emblazoned down both sides. It also has an illuminated badge and takes up less room on a bar than a standard handpull — the company says four of the new handpulls will fit in the same space as three of the traditional design.

“This is the boldest thing anyone has done in cask beer for the last 30 years,” Lewis told the Morning Advertiser. “Prominence on bars and illuminated fonts have been important step changes in the marketing of beer,” he said. “Yet in the cask-beer industry we have let other categories such as lager have it too easy by not shouting our presence on the bar in the same way.”

Categories: Ale · Brands · Lager · Marketing
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The great taste of lager advertising

May 20, 2009 · Comments Off

This episode was inspired by the Budweiser radio commercials current running on my favorite station. Are they telling the truth? It’s a little hard for me to believe.

With thanks to Dave Stratton at Deadpan Inc.

Added with no comment :-)

Categories: Advertising · Brands · Lager
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